Hüsker Dü - Candy Apple Grey (1986)

Moving to a major label doesn't affect Hüsker Dü's sound greatly -- although the production is more full-bodied than Spot's razor-thin work, the Hüskers don't change their blazing attack at all. Much of Candy Apple Grey charges along on the same frenzied beat that propelled New Day Rising and Flip Your Wig, and both Bob Mould and Grant Hart are in fine form, spinning out fine punk-pop with "Sorry Somehow" and "Don't Want to Know If You Are Lonely." However, the sound is beginning to seem a bit tired, which is what makes Mould's two acoustic numbers, "Too Far Down" and "Hardly Getting Over It," so welcome. Demonstrating that punks can mature without losing their edge, Mould inverts the rules of conventional confessional singer/songwriter songs with these two haunting numbers, and in doing so, he illustrates the faults with the relatively staid post-hardcore punk that dominates the remainder of the record. Source: [AMG]

Hüsker Dü - Eight Miles High


Track Listing
1. Crystal
2. Don't Want to Know if You Are Lonely
3. I Don't Know for Sure
4. Sorry Somehow
5. Too Far Down
6. Hardly Getting over It
7. Dead Set on Destruction
8. Eiffel Tower High
9. No Promise Have I Made
10. All This I've Done for You

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The Feends - Freek Show (1993)

Outside of their love of '60s surf, garage, bubblegum-pop and '70s punk, the Feends also took their surroundings of the beach as a major musical aspiration. Accompanied by their matching thrift store attire, the line-up of Ian (guitar ), Danni (bass ), Sam (keyboards ), Kent (vocals ), Will (guitar), and Henry (drums) first made their splash in 1990. Following three years of playing throughout their native coast of Western Australia, the band hooked up with the small independent label Spinning Top Records, resulting in their 1993 debut, Freek Show. Source: [AMG]


Track Listing
1. Only Loved One Fish Before
2. On The Prowl
3. RPM
4. Bats
5. Supernatural Feet
6. No More
7. Freek Show
8. Haunted Sea
9. Ghost Train
10. Space Girl

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Matthew Sweet - 100% Fun (1995)

Clocking in at 45 minutes, Matthew Sweet's third record of guitar-dominated, hook-laden power pop runs through its 12 songs at a classic speed, piling up songs that lovingly conform to the three-minute pop tradition. Richard Lloyd's gnarled guitars save Sweet's melodies and harmonies from being saccharine or sappy. Behind Sweet's bright hooks lies something darker -- the self-loathing of "Sick of Myself" and the mental manipulation of "We're the Same" aren't evident from the sound of the record, which obliterates any hidden meanings with its chiming guitars and driving rhythms. It might not have the consistent barrage of great songs like Girlfriend, yet it tames the wilder impulses of Altered Beast into an album that rocks its worries away without ever getting rid of them. Source: [AMG]

Matthew Sweet - We're The Same



Track Listing
1. Sick of Myself
2. Not When I Need It
3. We're the Same
4. Giving It Back
5. Everything Changes
6. Lost My Mind
7. Come to Love
8. Walk Out
9. I Almost Forgot
10. Super Baby
11. Get Older
12. Smog Moon

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Thee Headcoats - Heavens To Murgatroyd, Even! It's Thee Headcoats! (Already) (1991)

Thee Headcoats is one of the various band monikers assumed by garage rock primitive Billy Childish (aka Bill Hamper), a native of Kent, England. Over several decades -- and regardless of the fashion of the time -- Childish has churned out no-frills garage rock, the likes of which saw a resurgence in hipness in the new millennium with groups such as the Hives and the White Stripes. The ultra-prolific bandleader/producer/poet/painter/publisher first emerged in 1979 with mod-punkers Pop Rivets. By 1982, the Pop Rivets had become the more musically catchy Milkshakes (akaThee Milkshakes or Mickey & the Milkshakes). The band was remarkably prolific, releasing no fewer than seven albums in 1984 (four of them on the same day). Shortly thereafter, Childish moved on to the similarly minded Thee Mighty Caesars. Nevertheless, since the late '80s, Thee Headcoats -- a trio that includes Pop Rivets/Milkshakes/Mighty Caesars drummer Bruce Brand -- has been Childish's primary outlet for his more accessible, straight-up rock & roll. As of 2000, Thee Headcoats were Childish's most prolific outlet (no small accolade). The group played its final gig that year at London's Dirty Water club, though tracks continued to be released. Source: [AMG]

Thee Headcoats - Girl Of Matches


Track Listing
1. Mantrap
2. No Way Out
3. Reindeer Are Wild
4. Hand to Hand
5. Headcoat Man
6. Girl of Matches
7. I Don't Like the Man I Am
8. Pokerhuntus Was Her Name
9. We're Gone
10. Stewball
11. I Ain't About to Give You My Name
12. Rusty Hook

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The Hives - Barely Legal (1997)

The Hives launched the first salvo in their global assault on all that is lame in our culture with their debut album, 1997's Barely Legal, and there is little arguing that these guys had the right idea out of the gate. Emerging from Fagersta, Sweden (which, at least in 1997, was the rock equivalent of Absolutely Nowhere), the Hives set a high standard with their hot-wired fusion of garage rock tunes and punk rock speed and energy, and they hit the sweet spot just right, sounding tight enough to connect with unified force while still letting the frenzy of their forward momentum give the performances a bit of dizzy sway that indicates true rock & roll. If Barely Legal lacks an obvious "breakout hit" tune like "Main Offender" or "Hate to Say I Told You So," the rapid-fire assault of these songs is impressive indeed, and this disc plays like a brick of firecrackers that refuses to stop exploding until "Closed for the Season" crosses the finish line. And while the Hives rock like nobody's business here (especially the Siamese twin guitars of Vigilante Carlstroem and Nicholaus Arson), the real secret weapon is Howlin' Pelle Almqvist, whose cocky swagger actually communicates on tape, and is the perfect vehicle for his "We are cool, you are nothing" lyrical outlook. Veni Vidi Vicious was the album that let the world know who the Hives were and what they were all about, but Barely Legal let a clued-in few know about their monumental coolness three years ahead of the game, and for sheer rock action, it's as good as anything they've put to tape. Source: [AMG]

The Hives - A.K.A. I-D-I-O-T


Track Listing
1. Well, Well, Well
2. A.K.A. I-D-I-O-T
3. Here We Go Again
4. I'm a Wicked One
5. Automatic Schmuck
6. King of Asskissing
7. Hail Hail Spit N'Drool
8. Black Jack
9. What's That Spell?... Go to Hell!
10. Theme From...
11. Uptempo Venomous Poison
12. Oh Lord! When? How?
13. The Stomp
14. Closed for the Season

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R.E.M. - Monster (1994)

Monster is indeed R.E.M.'s long-promised "rock" album; it just doesn't rock in the way one might expect. Instead of R.E.M.'s trademark anthemic bashers, Monster offers a set of murky sludge, powered by the heavily distorted and delayed guitar of Peter Buck. Michael Stipe's vocals have been pushed to the back of the mix, along with Bill Berry's drums, which accentuates the muscular pulse of Buck's chords. From the androgynous sleaze of "Crush With Eyeliner" to the subtle, Eastern-tinged menace of "You," most of the album sounds dense, dirty, and grimy, which makes the punchy guitars of "What's the Frequency, Kenneth?" and the warped soul of "Tongue" all the more distinctive. Monster doesn't have the conceptual unity or consistently brilliant songwriting of Automatic for the People, but it does offer a wide range of sonic textures that have never been heard on an R.E.M. album before. Source: [AMG]

R.E.M. - What's The Frequency, Kenneth?


Track Listing
1. What's the Frequency, Kenneth?
2. Crush with Eyeliner
3. King of Comedy
4. I Don't Sleep, I Dream
5. Star 69
6. Strange Currencies
7. Tongue
8. Bang and Blame
9. I Took Your Name
10. Let Me In
11. Circus Envy
12. You

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Jeff Buckley - Grace (1994)

Jeff Buckley was many things, but humble wasn't one of them. Grace is an audacious debut album, filled with sweeping choruses, bombastic arrangements, searching lyrics, and above all, the richly textured voice of Buckley himself, which resembled a cross between Robert Plant, Van Morrison, and his father Tim. And that's a fair starting point for his music: Grace sounds like a Led Zeppelin album written by an ambitious folkie with a fondness for lounge jazz. At his best — the soaring title track, "Last Goodbye," and the mournful "Lover, You Should've Come Over" — Buckley's grasp met his reach with startling results; at its worst, Grace is merely promising. Source: [AMG]

Jeff Buckley - Eternal Life


Track Listing
1. Mojo Pin
2. Grace
3. Last Goodbye
4. Lilac Wine
5. So Real
6. Hallelujah
7. Lover, You Should've Come Over
8. Corpus Christi Carol
9. Eternal Life
10. Dream Brother

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Alice In Chains - Sap (1992)

Upon its release, Sap was a revelation, a seemingly tossed-off EP of four mostly acoustic ballads (augmented with a goofy bonus track) that threw Alice in Chains' melodic gifts into stunning relief while exposing a gentler, more melancholy side of their sound, something that Facelift never even hinted at. The mood is still bleak, but not affectedly so, as was sometimes the case on Facelift. There's a newfound maturity in the subtlety and confessional introspection of the first four songs, whose somber beauty is unfortunately dispelled by the bonus track (in a different context, it might be idiotic fun, but it really doesn't fit here). Still, Sap served notice that there was a great deal more depth to Alice in Chains than their debut had let on, hinting at the potential that would be realized with Dirt. [AMG]

Alice In Chains - Got Me Wrong


Track Listing
1. Brother
2. Got Me Wrong
3. Right Turn
4. Am I Inside
5. Love Song

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The Smashing Pumpkins - Gish (1991)

Arriving several months before Nirvana's Nevermind, the Smashing Pumpkins' debut album, Gish, which was also produced by Butch Vig, was the first shot of the alternative revolution that transformed the rock & roll landscape of the '90s. While Nirvana was a punk band, the Smashing Pumpkins and guitarist/vocalist Billy Corgan are arena rockers, co-opting their metallic riffs and epic art rock song structures with self-absorbed lyrical confessions. Though Corgan's lyrics fall apart upon close analysis, there's no denying his gift for arrangements. Like Brian May and Jimmy Page, he knows how to layer guitars for maximum effect, whether it's on the pounding, sub-Sabbath rush of "I Am One" or the shimmering, psychedelic dream pop surfaces of "Rhinoceros." Such musical moments like these, as well as the rushing "Siva" and the folky "Daydream," which features D'Arcy on lead vocals, demonstrate the Smashing Pumpkins' potential, but the rest of Gish falls prey to undistinguished songwriting and showy instrumentation. Source: [AMG]

The Smashing Pumpkins - I Am One


Track Listing
1. I Am One
2. Siva
3. Rhinoceros
4. Bury Me
5. Crush
6. Suffer
7. Snail
8. Tristessa
9. Window Paine
10. Daydream

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The Gories - I Know You Fine, But How You Doin' (1990)

I Know You Fine But How You Doin' is a magnum opus of dirty brilliance. Dirty in the grunge-covered sense. Dirty in the back alley and sleepin' it off sense. As with their first LP House Rockin', the Gories employ a primitive backbeat of tom-toms, fuzzy guitars, and insomniac blues screams (distributed more democratically here by singer/guitarists Dan Kroha -- see also the Demolition Dollrods -- and Mick Collins -- see also Blacktop -- than on the Gories' debut, House Rockin'). Recorded in Memphis at Easley Recording in 1990 with legendary recluse/genius Alex Chilton at the boards, I Know You Fine is ever-so-slightly more "produced" than the debut. But the songwriting, thankfully, never leaves the gutter far behind. Better still, the Gories make you believe that it's all happened to them recently enough to be a painful enough memory to necessitate writing a blues-riff song. Muted howling, cavernous guitars, and throbbing drums are always half a step from simultaneously disappearing and blowing up in your face. The main benefit of a non-D.I.Y. production on this outing is atmospheric, after-hours gems such as "Six Cold Feet," "Early in the Morning," and "Smashed." The desperation quotient is taken up by such tunes as "Stranded," "Goin' to the River," and "Nitroglycerine." I Know You Fine is perhaps the Gories' most focused vision of urban punk blues. As an added bonus, the Crypt reissue version features more than nine extra songs culled from both singles and the original track listing of House Rockin' (perhaps Crypt didn't anticipate reissuing both records). With the added tracks, this reissued version of I Know You Fine But How You Doin' is the one Gories recording to buy if you must only buy one. Source: [AMG]

The Gories - Makin' Love



Track Listing
1. Hey Hey, We're the Gories
2. You Make It Move
3. Detroit Breakdown
4. Stranded
5. Goin' to the River
6. Early in the Morning
7. Thunderbird ESQ
8. Nitroglyeerine
9. Let Your Daddy Ride
10. Six Cold Feet
11. Queenie
12. Smashed
13. Ghost Rider
14. Chick-Inn
15. View from Here
16. Makin' Love

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