Mostrando entradas con la etiqueta Punk Pop. Mostrar todas las entradas
Mostrando entradas con la etiqueta Punk Pop. Mostrar todas las entradas

sábado, 6 de marzo de 2010

Redd Kross - Show World (1997)

Kicking off with an exuberant version of the L.A. power pop-classic-that-almost-wasn't, "Pretty Please Me" -- and unsurprisingly Steve and Jeff McDonald and company rock the bastard to the ground with a smile this time around -- Show World is yet more fun from a band who dedicates themselves to a smart good time. In ways, Redd Kross had found history catching up to them by this time -- any number of bands had stumbled across the loud and brash- '70s pop-punk approach that was the group's raison de etre. But the fact that they hadn't gotten the attention they deserved for it didn't keep them from still going at it with gusto; Bless their hearts. If songs like "You Lied Again" and "Vanity Mirror" didn't introduce any curveballs to the basic sound, they still sounded pretty damn fantastic, singalong energy overdriven up to ten and beyond. Slightly slower tracks like "Girl God," the mega-orchestrated ballad "Secret Life," and the handclap crazy "Follow the Leader" showcase the band's calmer side well enough -- again, no surprises, but none were expected or needed. Best song title of the bunch this time around: "One Chord Progression," which lives up to its name just so. "Teen Competition" lets them cock rock out with the best of them, but doesn't forget the sugar in the chorus even as the distortion completely screws with the mix at one point, while "Get Out of Myself" has one brilliant moment with so much hyper-flange that why the speakers don't melt upon contact is a mystery. Source: [AMG]

Redd Kross - Mess Around


Track Listing
1. Pretty Please Me
2. Stoned
3. You Lied Again
4. Girl God
5. Mess Around
6. One Chord Progression
7. Teen Competition
8. Follow the Leader
9. Vanity Mirror
10. Secret Life
11. Ugly Town
12. Get Out of Myself
13. Kiss the Goat


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viernes, 19 de febrero de 2010

Buck Wild - Beat Me Silly (1996)

As it happens, Buckwild's debut album, Beat Me Silly, was the first full-length release on Lobster Records, the label guitarist and vocalist Shawn Dewey started with his friend Steve in the mid-'90s, and it could not represent the label's modus operandi any better. Dewey started the band as a return to playing parties and no pressure kinds of shows, and Beat Me Silly is obviously a work of energetic joy. The album moves effortlessly between brash, modern post-punk ("One Day" resembles what Foo Fighters might sound like if that band was as grounded in punk as they claim, bypassed bright, shiny production, and just played for the fun of it) and punk-pop a la Green Day with vocals that are less interested in the pop half than the punk half of the equation. The music on the other hand is spiked by instantly catchy melodies, and the band occasionally breaks into split-seconds of harmony and quiet musical passages. For such a loud album in a genre that prides itself on holding in any impulses of tenderness, Beat Me Silly is surprisingly attitudinal. Many common punk emotions rise to the surface, from anger to boredom, but at least five of the songs betray infatuations or love (including a cover of the Turtles' "Happy Together" that is surprisingly faithful to the original, only kicked in the rear a bit) albeit love that often turned out bad for some reason or other. In "Slipping Away" there is even self-chiding built in for showing such vulnerability: "Why do I want her...." Buckwild is less impressive when it tries to play it sensitive on the soft sections of "That's the Problem," but when the song kicks into overdrive it is a monster. Dewey is no crooner, but when he's raging through his words, he navigates an impressive vocal range. Beat Me Silly, it turns out, is an excellent album that generally sticks to its strong suits: controlled aggression that allows its vulnerability to seep to the surface despite the effort to conceal such a soft heart beats at its core. Source: [AMG]

Buck Wild - American Dream


Track Listing
1. Artificial Love
2. One Day
3. Just in Time
4. Flowerstand Girl
5. What I Saw in You
6. The Letter
7. American Dream
8. That's the Problem
9. Happy Together (is a cover of Happy Together by The Turtles)
10. Slipping Away
11. [untitled]


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lunes, 23 de noviembre de 2009

Redd Kross - Born Innocent (1981)

Originally issued in 1982, Born Innocent was the debut full-length release from Redd Kross, a band of suburban L.A. youth fronted by brothers Jeff (guitar, vocals) and Steve McDonald (bass). Aged 18 and 14, respectively, the aspiring punks are aided and abetted here by rhythm guitarist Tracy Lee and drummers Janet Housden and John Stielow as they attack these 16 songs with all the patience of over-stimulated teens and all the subtlety of a slasher flick. The average song length falls below the two-minute mark, during which time Jeff McDonald's whine is rarely coherent above the clamor of his band's brutal rock assault. The punk negation of titles like "Kill Someone You Hate," "Look up at the Bottom," and "Notes and Chords Mean Nothing to Me" couldn't be more appropriate descriptions for this music. "Solid Gold" is a slice of dislocated blues while "St. Lita Ford Blues" disintegrates from a stop-start punk party (complete with jubilant screams) to a raucous three-chord blur. Included for good measure are tributes to both actress Linda Blair ("Linda Blair") and serial killer Charles Manson ("Charlie" and a cover of Manson's own "Cease to Exist"). Though subsequent releases found Redd Kross cleaning up their act, this debut captures them in all their youthful glory; documenting the sound of the McDonalds and company unleashed on an unsuspecting set of guitars, bass, and drums. Source: [AMG]

Redd Kross - Linda Blair


Track Listing
1. Linda Blair
2. White Trash
3. Everyday There's Someone New
4. Solid Gold
5. Burn-Out
6. Charlie
7. Tatum O'Tot and the Fried Vegetables
8. St. Lita Ford Blues
9. Self Respect
10. Pseudo-Intellectual
11. Kill Someone You Hate
12. Look on up at the Bottom
13. Cellulite
14. I'm Alright
15. Cease to Exist
16. Notes and Chords Mean Nothing to Me


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jueves, 16 de julio de 2009

Ash - 1977 (1996)

Two-thirds of Ash were born in 1977, which means that their latter-day punk-pop isn't very Catholic. Instead of sticking to the rigid rules of American punk-pop -- which means you can't stretch the song past three minutes -- Ash take a cinematic approach to their songs, throwing in elements of power pop, glam, post-Nirvana grunge, and post-Oasis rock. It's a melting pot of pop styles, basically because the members of the band are so young, they haven't conformed to the standards of the indie and punk subcultures. Sure, Ash still use loud guitars -- they're all over 1977 -- but they create a distinctive, melodic, and energetic sound that's equal parts heavy grunge and light pop. And while they may indulge in jamming a bit too much, they remain a pop band at heart, capable of turning out epic guitar pop like "Goldfinger," punk-pop like "Kung Fu," and the lovely but loud "Girl from Mars" with equal flair. Source: [AMG]

Ash - Girl From Mars


Track Listing
1. Lose Control
2. Goldfinger
3. Girl from Mars
4. I'd Give You Anything
5. Gone the Dream
6. Kung Fu
7. Oh Yeah
8. Let It Flow
9. Innocent Smile
10. Angel Interceptor
11. Lost in You
12. Darkside Lightside / Sick Part


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domingo, 5 de julio de 2009

Bracket - 4-Wheel Vibe (1995)

California-based Bracket -- comprised of vocalist/guitarist Marty Gregori, bassist Zack Charlos, guitarist Larry Tinney, and drummer Ray Castro -- got together in the early '90s and first showcased their power pop and punk sensibilities on the self-released 7" Giant Midge EP. Playing all around the San Francisco area, they signed to Caroline Records and released 924 Forestville St. and 4-Wheel Vibe to a growing fan base. Bracket somehow manage to combine catchy choruses, fantastic melodies, and a quirky sense of humour effortly into 4-Wheel Vibe. From the very first to the very last song on the album, Bracket seem able to write songs that still feel punk, but have an inescapable "sing-a-long" charm to them. Source: [AMG-Amazon]

Bracket - Circus Act


Track Listing
1. Circus Act
2. Cool Aide
3. Happy to Be Sad
4. John Wilke's Isolation Booth
5. Tractor
6. Green Apples
7. Closed Captioned
8. Trailer Park
9. Fresh Air
10. P.C.
11. G-Vibe
12. Warren's Song, Pt. 4
13. 2 Hot Dogs for 99¢
14. Metal
15. Pessimist
16. Lazy


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martes, 11 de noviembre de 2008

The Presidents Of The United States Of America - The Presidents Of The United States Of America (1995)


In the time-honored tradition of the Dickies, the punk-pop of the Presidents of the United States of America is brief, hooky, and dumb -- it's novelty punk. Granted, that approach can occasionally produce a couple of naggingly catchy songs -- particularly their breakthrough hit, "Lump" -- but it basically results in a series of smug, self-satisfied songs that are neither funny nor catchy. Like the Dickies, the Presidents of the United States of America aren't much more than one-hit wonders. Source: [AMG]

The Presidents Of The United States Of America - Lump



Track Listing
1. Kitty
2. Feather Pluckn
3. Lump
4. Stranger
5. Boll Weevil
6. Peaches
7. Dune Buggy
8. We Are Not Going to Make It
9. Kick out the Jams
10. Body
11. Back Porch
12. Candy
13. Naked and Famous


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domingo, 19 de octubre de 2008

Redd Kross - Phaseshifter (1993)


In Phaseshifter, Redd Kross has stripped away many of the '60s and '70s pop-culture trappings that figured prominently on earlier recordings (covers of Brady Bunch and Charles Manson songs, for instance). As a result, the band (basically brothers Jeffrey and Steven McDonald) have brought their strong melodic sense, psychedelic punk/metal mix, and fine harmonies to the fore on standout tracks like "Lady in the Front Row" and "Monolith." The brothers' '70s-TV obsession certainly hasn't disappeared, though, as evidenced by songs like "After School Special" and the Partridge Family-inspired cut "Dumb Angel" (Susan Dey being replaced here by keyboardist Gere Fennelly); but they seem more bent on cutting straightforward and driving, power pop/rock anthems than going in for their '80s-style, HR Pufnstuf form of garage psychedelia, and even the paisley is conspicuously missing, replaced by t-shirts and jeans. Is the shift due in part to the pervasive influence of grunge and Nirvana? Maybe. But one should remember that, as early as 1980, Redd Kross was incorporating the same Black Flag, hardcore stylings that Cobain and company were admittedly inspired by. It doesn't really matter, though, since this album stands on it own just fine, especially considering the inclusion of one of the band's best rockers ("Crazy World") and most rewarding pop tunes ("Pay for Love"). For some great Redd Kross music, get both Phaseshifter and the band's 1997 release, Show World. Source: [AMG]

Redd Kross - Lady In The Front Row


Track Listing
1. Jimmy's Fantasy
2. Lady in the Front Row
3. Monolith
4. Crazy World
5. Dumb Angel
6. Huge Wonder
7. Visionary
8. Pay for Love
9. Ms. Lady Evans
10. Only a Girl
11. Saragon
12. After School Special
13. Any Hour Every Day*


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jueves, 18 de septiembre de 2008

Supernova - Ages 3 And Up (1995)


Supernova formed in 1989 by drummer Dave Collins, bassist Art Mitchell, and guitarist Hayden Thais. The band gained a following from their energetic and often wacky live performances, but it wasn't until 1992 that the band started releasing 7" singles on various indie labels, some of which went on to be major hits on college radio and with the indie music scene.

Supernova got significant exposure in 1994 when their song "Chewbacca" was featured in the smash hit indie movie Clerks. Later that year, however, Thais left the group, later to join two other sci-fi punk bands, Servotron and Man or Astro-Man?. He was replaced by Jodey Lawrence.

1996 saw the release of Supernova's first album, Ages 3 & Up, released on Amphetamine Reptile Records. A single, "Vitamins", was released, and received radio airplay. Source: [Wikipedia]

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Super duper fun! A totally irresistible pop album that is as wacky as the Presidents of the United States of America's debut, but somehow more fulfilling. Maybe it's those three or four extra guitar strings that Supernova have up on the Presidents that give them the musical edge. I'm utterly aghast that this is an Am Rep release, but it's a damn fine one all the same. You'll need an appreciation of dork rock to get into Supernova, but this is entertaining, brainless fun. Source: [Amazon]

Supernova - Math


Track Listing
1. Vitamins
2. Oreo
3. Harry Gato
4. Up & Down
5. Mechanical
6. Gum Fighter
7. Wabbit
8. Invasion
9. Best Coat
10. Drool
11. Hippy
12. Sea Stunt
13. Daredevil
14. Math
15. Mentos
16. Boo!
17. Our Way
18. Electric Man
19. Supersong
20. Close Encounters


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