The Smashing Pumpkins didn't shy away from making the follow-up to the grand, intricate Siamese Dream. With Mellon Collie and the Infinite Sadness, the band turns in one of the most ambitious and indulgent albums in rock history. Lasting over two hours and featuring 28 songs, the album is certainly a challenging listen. To Billy Corgan's credit, it's a rewarding and compelling one as well. Although the artistic scope of the album is immense, the Smashing Pumpkins flourish in such an overblown setting. Corgan's songwriting has never been limited by conventional notions of what a rock band can do, even if it is clear that he draws inspiration from scores of '70s heavy metal and art rock bands. Instead of copying the sounds of his favorite records, he expands on their ideas, making the gentle piano of the title track and the sighing "1979" sit comfortably against the volcanic rush of "Jellybelly" and "Zero." In between those two extremes lies an array of musical styles, drawing from rock, pop, folk, and classical. Some of the songs don't work as well as others, but Mellon Collie never seems to drag. Occasionally they fall flat on their face, but over the entire album, the Smashing Pumpkins prove that they are one of the more creative and consistent bands of the '90s. Source: [AMG]
The Smashing Pumpkins - Zero
Track Listing Dawn To Dusk 1. Mellon Collie and the Infinite Sadness 2. Tonight, Tonight 3. Jellybelly 4. Zero 5. Here Is No Why 6. Bullet with Butterfly Wings 7. To Forgive 8. Fuck You (An Ode to No One) 9. Love 10. Cupid de Locke 11. Galapogos 12. Muzzle 13. Porcelina of the Vast Oceans 14. Take Me Down
Twilight To Starlight 1. Where the Boys Fear to Tread 2. Bodies 3. Thirty-Three 4. In the Arms of Sleep 5. 1979 6. Tales of a Scorched Earth Corgan 4:16 7. Thru the Eyes of Ruby Corgan 4:14 8. Stumbleine 9. X.Y.U. 10. We Only Come out at Night 11. Beautiful 12. Lily (My One and Only) 13. By Starlight 14. Farewell and Goodnight
Essentially a collection of solo home recordings by Dave Grohl, Foo Fighters' eponymous debut is a modest triumph. Driven by big pop melodies and distorted guitars, Foo Fighters do strongly recall Nirvana, only with a decidedly lighter approach. If Kurt Cobain's writing occasionally recalled John Lennon, Dave Grohl's songs are reminiscent of Paul McCartney — they're driven by large, instantly memorable melodies, whether it's the joyous outburst of "This Is a Call" or the gentle pop of "Big Me." That doesn't mean Grohl shies away from noise; toward the end of the record, he piles on several thrashers that make more sense as pure aggressive sound than as songs. Since he recorded the album by himself, they aren't as powerful as most band's primal sonic workouts, but the results are damn impressive for a solo musician. Nevertheless, they aren't as strong as his fully formed pop songs, and that's where the true heart of the album lies. Foo Fighters has a handful of punk-pop gems that show, given the right musicians and songwriters, the genre had not entirely become a cliché by the middle of the '90s. Source: [AMG]
Foo Fighters - This Is A Call
Track Listing 1. This Is a Call 2. I'll Stick Around 3. Big Me 4. Alone + Easy Target 5. Good Grief 6. Floaty 7. Weenie Beenie 8. Oh, George 9. For All the Cows 10. X-Static 11. Wattershed 12. Exhausted