On Matthew Sweet's early-'90s power pop trilogy of Girlfriend, Altered Beast, and 100% Fun, Richard Lloyd's angular, unpredictable lead guitar functioned as a gritty counterpoint to Sweet's pretty melodies and tales of lost love, giving the music an unexpected depth. Sweet parted ways with Lloyd before he made Blue Sky on Mars, and his departure greatly affects the music. Without Lloyd, the songs are more predictable and the band, even with Brendan O'Brien's warm production, sounds rather canned. However, the music isn't the only thing hurting Blue Sky on Mars -- the songs themselves are considerably more uneven than before, lacking the effortless hooks of its three predecessors. Sweet manages to turn out a handful of good songs -- the swirling "Where Do You Get Love" has an infectious chorus, and "Come to California" has a sunny, Californian feel -- but the simple problem is that most of the songs are colorless, and that comes as a major disappointment after the inspired songcraft since Girlfriend.
Matthew Sweet - Where You Get Love
Track Listing 1. Come to California 2. Back to You 3. Where You Get Love 4. Hollow 5. Behind the Smile 6. Until You Break 7. Over It 8. Heaven and Earth 9. All over My Head 10. Into Your Drug 11. Make Believe 12. Missing Time
Such is the evocative power of the humbly crafted toe-tappers that these Minneapolis popsters deliver.... The Vandalias high concept--a madcap band of cartoony heartthrobs bounce through zany adventures involving muscle vans and mini-skirts--is pure guile. But the music is so smartly composed and cheerfully presented, the whole shebang actually achieves an intoxicating celebration of teen-dom. Plus, it rocks wicked good. Source: [Amazon]
Track Listing 1. buzzbomb! 2. Big Red Catalina 2:33 3. Funky Monkey Baby (live) 4. Charity at Home 5. Hey Kari G 6. Anywhere You Go 7. Down 8. Say I'm Sorry 9. These Others 10. No One Told Him 11. The End of the World
A shambling wreck of an album, Big Star's Third/Sister Lovers ranks among the most harrowing experiences in pop music; impassioned, erratic, and stark, it's the slow, sinking sound of a band falling apart. Recorded with their label, Stax, poised on the verge of bankruptcy, the album finds Alex Chilton at the end of his rope, sabotaging his own music long before it can ever reach the wrecking crew of poor distribution, indifferent marketing, and disinterested pop radio; his songs are haphazardly brilliant, a head-on collision between inspiration and frustration. The album is a kind of self-fulfilling prophecy, each song smacking of utter defeat and desperation; the result is either one of the most vividly emotional experiences in pop music or a completely wasted opportunity, and while the truth probably lies somewhere in between, there's no denying Third's magnetic pull -- it's like an undertow. Although previously issued on a variety of different labels, Rykodisc's 1992 release is the initially definitive edition of this unfinished masterpiece, its 19 tracks most closely approximating the original planned running order while restoring the music's intended impact; in addition to unearthing a blistering cover of the Kinks' "At the End of the Day" and a haunting rendition of Nat King Cole's "Nature Boy," it also appends the disturbing "Dream Lover," which distills the album's messiest themes into less than four minutes of psychic torment. Source: [AMG]
Big Star - Thank You Friends
Track Listing 1. Kizza Me 2. Thank You Friends 3. Big Black Car 4. Jesus Christ 5. Femme Fatale 6. O, Dana 7. Holocaust 8. Kangaroo 9. Stroke It Noel 10. For You 11. You Can't Have Me 12. Nightime 13. Blue Moon 14. Take Care 15. Nature Boy 16. Till the End of the Day 17. Dream Lover 18. Downs 19. Whole Lotta Shakin' Goin' On
Power pop fans have occasionally pointed to this, Australian outfit DM3's sophomore release, as one of the best pop albums to come out of the mid-'90s and one of the cornerstone albums of the '90s Australian pop movement. Both may be true to varying degrees: Road to Rome is possibly the "classic" disc in the late-'90s Australian power pop scene, which included similarly talented bands like Ice Cream Hands, Even, Challenger 7, and Michael Carpenter. While the debit of Australian power pop is that it often favors slavish imitation over solid songwriting, Dom Mariani's ear for a hook is what makes Road to Rome stand out. Well, that and Mitch Easter's arena-ready production. Sounding like the Plimsouls playing with Badfinger and the Who, Mariani cranks it to ten more than a few times here. It lends songs like the excellent "Please Don't Lie" or the riff-heavy "Soultop" a glossy, almost '80s stadium rock vibe -- in a good way. Sure, sometimes DM3 can get a little derivative and rest on their skinny tie-shaped laurels, but for the most part the chunky riffage and Easter's boomy production will be more than enough to please anyone who is motivated enough to seek this album out in the first place. Source: [AMG]
Dom Mariani & Rippled Souls - Foolish
Track Listing 1. Can't Get What You Want 2. Please Don't Lie 3. Speed Freak 4. Second Floor 5. Pleaze You 6. I Thought That You Were Foolin' 7. Show You 8. Dead Stars 9. Something Heavy 10. Soultop 11. Fairweather Friend 12. T.V. Sound
The Vandalias, from Minneapolis, play good power-pop with great harmonies, driving guitars and exceptional hooks. Following the single Build This House (Tenpop, 1992), debut album Mach V (Big Deal, 1995) is successful at what it does: copy the originals (Byrds, Big Star, Raspberries, Cheap Trick). Such is the evocative power of the humbly crafted toe-tappers that these popsters deliver.... The Vandalias high concept--a madcap band of cartoony heartthrobs bounce through zany adventures involving muscle vans and mini-skirts--is pure guile. But the music is so smartly composed and cheerfully presented, the whole shebang actually achieves an intoxicating celebration of teen-dom. Plus, it rocks wicked good.
Track Listing 1. In 2. Hey Now (Motor City) 3. Build This House 4. Have You Seen Mine? 5. Mach V 6. I'd Be a Boy 7. Knife 8. Watch My Baby Cry 9. Mighty Song of Joy 10. Fall Girl 11. Cathy's Back 12. Sky High 13. Done for You 14. Wait and See
Clocking in at 45 minutes, Matthew Sweet's third record of guitar-dominated, hook-laden power pop runs through its 12 songs at a classic speed, piling up songs that lovingly conform to the three-minute pop tradition. Richard Lloyd's gnarled guitars save Sweet's melodies and harmonies from being saccharine or sappy. Behind Sweet's bright hooks lies something darker -- the self-loathing of "Sick of Myself" and the mental manipulation of "We're the Same" aren't evident from the sound of the record, which obliterates any hidden meanings with its chiming guitars and driving rhythms. It might not have the consistent barrage of great songs like Girlfriend, yet it tames the wilder impulses of Altered Beast into an album that rocks its worries away without ever getting rid of them. Source: [AMG]
Matthew Sweet - We're The Same
Track Listing 1. Sick of Myself 2. Not When I Need It 3. We're the Same 4. Giving It Back 5. Everything Changes 6. Lost My Mind 7. Come to Love 8. Walk Out 9. I Almost Forgot 10. Super Baby 11. Get Older 12. Smog Moon