Sonic Youth - Dirty Boots (1991)

While there is little denying the title track's status as one of Sonic Youth's strongest songs from their early-'90s period, the bonus live recordings are the real reason to own the Dirty Boots CD single. The scorching versions of "White Kross," "Eric's Trip," and "Cinderella's Big Score" reaffirm the group's status as one of the strongest live acts amid the alternative rock movement. Furthermore, this EP also includes an unreleased instrumental song, titled "The Bedroom," which isn't anything special, though it does make for an interesting listen. Source: [AMG]

Sonic Youth - Dirty Boots


Track Listing
1. Dirty Boots (Edit)
2. White Cross (Live)
3. Eric's Trip (Live)
4. Cinderella's Big Score (Live)
5. Dirty Boots (Live)
6. Bedroom (Live)

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Sonic Youth - Goo (1990)

Any doubts as to the continuing relevance of Sonic Youth upon their jump to major-label status were quickly laid to rest by Goo, their follow-up to the monumental Daydream Nation. While paling in the shadow of its predecessor, the record is nevertheless a defiant call to arms against mainstream musical values; the Geffen logo adorning the disc is a moot point -- Goo is, if anything, a portrait of Sonic Youth at their most self-indulgently noisy and contentious, covering topics ranging from Karen Carpenter ("Tunic") to UFOs ("Disappearer") to dating Jesus' mom ("Mary-Christ"). Even Public Enemy's Chuck D joins the fracas on the single "Kool Thing," which teeters on the brink of a cultural breakthrough but falls just shy of the mark; the same could be said of Goo itself -- by no means a sellout, it nevertheless lacks the coherence and force of the group's finest work, and the opportunity to violently rattle the mainstream cage slips by. Source: [AMG]

Sonic Youth - Kool Thing


Track Listing
1. Dirty Boots
2. Tunic (Song for Karen)
3. Mary-Christ
4. Kool Thing
5. Mote
6. My Friend Goo
7. Disappearer
8. Mildred Pierce
9. Cinderella's Big Score
10. Scooter + Jinx
11. Titanium Exposé

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Flying Saucer Attack - Further (1995)

Thanks to its release on Drag City and an increasingly higher profile (and rabid fan base), Further turned out to be FSA's breakthrough, at least in cult terms. Even Rolling Stone reviewed the album (amusingly pairing it with a modern Pink Floyd live release), but Further was anything but a corporate sellout. Rather, the twosome achieved a new balance of delicacy and power, heightened in noticeable part by Pearce's increasingly assertive singing. His vocal approach of extended sigh as singing hadn't changed, but his words had a new clarity and crisper delivery, with fine results. Otherwise, FSA stayed the same general course musically, but again the arrangements provide the difference, with the unplugged folk side of Pearce's music now firmly taking the fore on songs like the extended, multipart "For Silence," often with gentle reverb or extra studio effects that make the songs all that much more intriguing. It's not quite Bert Jantsch or John Fahey redux, but there's a definite sonic connection there that's well worth the hearing. Other highlights are the clear acoustic notes cutting through the hum and drone of the majestic "In the Light of Time" or the buried waves of electric guitar in counterpoint to the gentle picking on "Come and Close My Eyes" -- the latter accompanied at the end with what sounds like a typewriter, without sounding jarring or out of place. No compromises were aimed at radio-friendly unit shifters -- opening track "Rainstorm Blues," a roaring feedback squall ascending and descending in volume, got further accompaniment from hard-to-place crumbles and squeals, Brook's growling bass work setting the mood even stranger. Brook herself gets a lovely moment of vocal glory on "Still Point," her voice even more soft and restrained than Pearce's, rising through a striking squall of sound and, once again, upfront acoustic guitar. Source: [AMG]




Track Listing
1. Rainstorm Blues
2. In the Light of Time
3. Come and Close My Eyes
4. For Silence
5. Still Point
6. Here Am I
7. To the Shore
8. She Is the Daylight

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Sonic Youth - Confusion Is Sex/Kill Yr. Idols (1995)

Abrasive and archaic, theatrical and confrontational, Confusion Is Sex marks the opening strides that Sonic Youth made during their long slog through the American underground scene of the '80s. And yes, this album is underground if anything; it's lo-fi to the point of tonal drabness, as the instruments seem to ring out in only one tone, that of screechy noise. Yet that tone in itself is part of the album's style, which is one of antithesis. The album isn't comprised of songs but rather soundscapes, while the instruments are your traditional guitar-bass-drums-vocals lineup but are performed most untraditionally. Taken as a whole, Confusion Is Sex is a spellbinding listen, especially the first time through. If you're a bona fide Sonic Youth fan, chances are you'll find it especially spellbinding -- the more of the band's albums you've heard, the better. However, if you're unfamiliar with the band, or a casual fan at most, chances are you're going to be thoroughly tested: this is not an easy album to enjoy. As inaccessible as it may be, however, Confusion Is Sex is a cornerstone of Sonic Youth's career, their true opening salvo toward underground heroism, though miles and miles away from such highly regarded albums as Daydream Nation (1988) or Dirty (1992). [DGC's reissue appends the Kill Yr. Idols EP, which is very much a continuation of Confusion Is Sex, and an excellent one at that.]. Source: [AMG]

Sonic Youth - Shaking Hell


Track Listing
1. (She's In A) Bad Mood
2. Protect Me You
3. Freezer Burn/ I Wanna Be Your Dog
4. Shaking Hell
5. Inhuman
6. The World Looks Red
7. Confusion Is Next
8. Making The Nature Scene
9. Lee Is Free
10. Kill Yr. Idols
11. Brother James
12. Early America
13. Shaking Hell (Live)

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