The Wannadies - Be A Girl (1995)

This is the album that rocketed the Wannadies to stardom internationally. Thanks to start-stop dynamics of the romantic power-pop single "You and Me Song," the band managed to find success on both sides of the Atlantic; in the U.K. the song hit the charts at the height of the Brit-pop movement and in the U.S. (where this album was never released) the song was featured in a prominent scene of the movie Romeo and Juliet. The magic of this album doesn't stop there, though. In fact, "Be a Girl" is a tour de force that lasts throughout the album's entire 11 tracks. Beside "You and Me Song," there's "Might Be Stars," another huge U.K. hit that is, without a doubt, one of the best songs ever written about being a rock star. Other highlights include the pure-pop mania of "Love in June" and "New World Record," a punchy, loud, arena-ready stomper. The guitars are noticeably louder on this disc, and the pace barely relents before "Kid," a gut-wrenching power-ballad, sends the listener away wanting another 11 tracks. This is classic Brit-pop from beginning to end -- a life-affirming album that reminds us why rock & roll is so great. (The Japanese version of this album contains a bonus track titled "Oh Oh Let's Go," which is a fine addition to the disc, but the cost is somewhat prohibitive). Source: [AMG]

The Wannadies - You And Me Song


Track Listing
1. You and Me Song
2. Might Be Stars
3. Love in June
4. How Does It Feel?
5. Sweet Nymphet
6. New World Record
7. Dying for More
8. Soon You're Dead
9. Do It All the Time
10. Dreamy Wednesdays
11. Kid

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The Jesus And Mary Chain - Honey's Dead (1992)

Again working with Alan Moulder but now also using a live drummer on most tracks -- namely Monti from Curve, one of the Mary Chain's many descendants -- the Reids came back strong with Honey's Dead, on balance a more consistent and satisfying record than Automatic. There's a sense of greater creativity with the arrangements, while the balance between blasting static rampage and precise, almost clinical delivery is the finest yet, making the album as a whole the best straight-through listen since Psychocandy. Monti's drumming finally replaces Bobby Gillespie's properly; he's a much more talented musician than the Primal Scream overlord, using the warped funk hits familiar from Curve's work to the Mary Chain's advantage. Even the drum machine-driven cuts work better than before, especially the brilliant, coruscating opener, "Reverence." Burning with some of the best nails-on-chalkboard feedback the band had yet recorded, combined with a whipsmart sharp breakbeat, all it took was the finishing touch of Jim Reid's sneering lines like "I wanna die like Jesus Christ" to make it another stone-cold classic single from the band. Other winners include "Sugar Ray," with beats and melody so immediate and addictive the track was actually used for a beer commercial, of all things, and the steady slap and crunch of "Good for My Soul." If there's a danger in Honey's Dead, it's that the near bottomless pit of reworked melodies and lyrics had almost reached its end -- even the final track, "Frequency," combines both "Reverence" itself with the Modern Lovers' "Roadrunner" -- which made the stylistic shift on Stoned & Dethroned a logical follow-up. William and Jim Reid split all the vocals almost evenly, the former especially shining on the nearly gentle "Almost Gold," the closest the record comes to a sweet ballad. Source: [AMG]

The Jesus And Mary Chain - Reverence


Track Listing
1. Reverence
2. Teenage Lust
3. Far Gone and Out
4. Almost Gold
5. Sugar Ray
6. Tumbledown
7. Catchfire
8. Good for My Soul
9. Rollercoaster
10. I Can't Get Enough
11. Sundown
12. Frequency

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Bob Mould - Bob Mould (1996)

As he was promoting the last Sugar album, File Under: Easy Listening, Bob Mould hinted that he was tired of working with a band and was fascinated by the simple, four-track recordings of Sebadoh and Guided by Voices. So, it didn't come as a complete surprise when he disbanded Sugar a year after the release of FU:EL and began working on a record by himself. Bob Mould, his third solo album, was recorded entirely by Mould, but it doesn't sound like a lo-fi project -- it doesn't have the professional production of Sugar's records, but it has all their sonic detail. What has changed is the details themselves. Bob Mould may not surge on waves of loud guitars like Hüsker Dü or Sugar, but Mould is reaching into new territory, using distortion as a coloring device and exploring trancier melodies. And Mould sounds revitalized throughout the album -- although it is clear that this isn't a collection of first-takes, his obsession with making the album entirely on his own makes the music fierce and alive. Mould may be heading further into singer/songwriter territory with each album he releases, but he keeps his music away from stodginess by continually changing his approach and delving into new sonic territories. It also doesn't hurt that his increasingly bitter lyrics are gut-wrenchingly provocative and his melodies are consistently engaging. Source: [AMG]

Bob Mould - Egøverride


Track Listing
1. Anymore Time Between
2. I Hate Alternative Rock
3. Fort Knox, King Solomon
4. Next Time That You Leave
5. Egoverride
6. Thumbtack
7. Hair Stew
8. Deep Karma Canyon
9. Art Crisis
10. Roll over and Die

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